“but curiosity is a restless and scrupulous passion, and no one girl can endure, with patience, that hers should be baffled by another.”
Carmilla was an additional read/listen for October for #classiclitbookclub, and I loved it! Admittedly, the version I listened to was abridged and performed by a BBC Radio cast, but I think the gist of the story came through really well.
Carmilla reminded me of a cross between Dracula (well, it did inspire Bram Stoker) and, for some reason, a mixture of Daphne du Maurier’s novels. I think it was the gothic vibe—the characters wandering through the darkness. I wasn’t sure whether I was going to enjoy it; female vampires just don’t have the same draw as the male ones 😂. But actually, I liked Laura and her dad, even if I really didn’t like Carmilla—she was the essence of evil and manipulation: narcissistic and just plain creepy!
I’ll read the full version at some point, but I’m really glad it’s now on my radar.
About the Book
In an isolated castle deep in the Austrian forest, Laura leads a solitary life with only her ailing father for company. Until one moonlit night, a horse-drawn carriage crashes into view, carrying an unexpected guest – the beautiful Carmilla. So begins a feverish friendship between Laura and her mysterious, entrancing companion.
But as Carmilla becomes increasingly strange and volatile, prone to eerie nocturnal wanderings, Laura finds herself tormented by nightmares and growing weaker by the day… Pre-dating Dracula by twenty-six years, Carmilla is the original vampire story, steeped in sexual tension and gothic romance.
Joseph Thomas Sheridan Le Fanu was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. M.R. James described Le Fanu as "absolutely in the first rank as a writer of ghost stories".



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