The Catcher in the Rye was chosen for September's #classiclitbookclub. This is my first time reading it, and I’m still not entirely sure how I feel about it. At first, I found Holden to be annoying, the story depressing, and there was a lot of overthinking. But as the book progressed and drew to a close, I started to understand why Holden narrates the way he does.
Holden seemed like a troubled teen still grappling with the death of his brother. His parents appeared more concerned about his academic failures than his emotional state. I suppose this is reflective of the time in which the book was written—mental health awareness was not as prevalent back then. Today, there are more resources available for teens going through similar struggles.
What really stood out to me was Holden's internal conflict—he’s trying to act like an adult when he clearly isn’t ready to let go of his childhood. He has no true friends; instead, he’s surrounded by acquaintances who tolerate him but don’t really understand him.
After reading a few other reviews, it’s clear that people either love or hate this book. As for me, I’m still on the fence, but I think if I read it again, I’d lean more toward ‘love’ than ‘hate.’
About the Book
It's Christmas time and Holden Caulfield has just been expelled from yet another school...
Fleeing the crooks at Pencey Prep, he pinballs around New York City seeking solace in fleeting encounters—shooting the bull with strangers in dive hotels, wandering alone round Central Park, getting beaten up by pimps and cut down by erstwhile girlfriends. The city is beautiful and terrible, in all its neon loneliness and seedy glamour, its mingled sense of possibility and emptiness. Holden passes through it like a ghost, thinking always of his kid sister Phoebe, the only person who really understands him, and his determination to escape the phonies and find a life of true meaning.
The Catcher in the Rye is an all-time classic in coming-of-age literature- an elegy to teenage alienation, capturing the deeply human need for connection and the bewildering sense of loss as we leave childhood behind.
People well know this author for his reclusive nature. He published his last original work in 1965 and gave his last interview in 1980. Reared in city of New York, Salinger began short stories in secondary school and published several stories in the early 1940s before serving in World War II. In 1948, he published the critically acclaimed story "A Perfect Day for Bananafish" in The New Yorker, his subsequent home magazine. He released an immediate popular success. His depiction of adolescent alienation and loss of innocence in the protagonist Holden Caulfield especially influenced adolescent readers. Widely read and controversial, sells a quarter-million copies a year.
The success led to public attention and scrutiny: reclusive, he published new work less frequently. He followed with a short story collection, Nine Stories (1953), of a novella and a short story, Franny and Zooey (1961), and a collection of two novellas, Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963). His last published work, a novella entitled "Hapworth 16, 1924", appeared in The New Yorker on June 19, 1965.
Afterward, Salinger struggled with unwanted attention, including a legal battle in the 1980s with biographer Ian Hamilton. In the late 1990s, Joyce Maynard, a close ex-lover, and Margaret Salinger, his daughter, wrote and released his memoirs. In 1996, a small publisher announced a deal with Salinger to publish "Hapworth 16, 1924" in book form, but the ensuing publicity indefinitely delayed the release.
Another writer used one of his characters, resulting in copyright infringement; he filed a lawsuit against this writer and afterward made headlines around the globe in June 2009. Salinger died of natural causes at his home in Cornish, New Hampshire.
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