I think this will become a favourite...
The Haunting of Hill House was one I listened to last October for #classiclitbookclub. I don't usually read or listen to horror, but this sent me down a rabbit hole of defining horror. According to Wikipedia, 'Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare an audience'. According to what I researched, Dracula, Frankenstein and The Picture of Dorian Gray can all be classified as horror. I've read all of these, and I wasn't disturbed, frightened or scared by any of them. I was entertained, immersed and enthralled by them all. The things that I class as horror are that vile doll Chucky (was that his name) and The Exorcist, so maybe I need to be a little less judgmental of the horror genre from now on, and perhaps it isn't reading horror that I don't like, it's watching it!
Anyway, back to the review...I liked it, I liked it a lot. The author didn't just create the atmosphere, she was the atmosphere. That makes more sense in my head than it does writing it down, but hopefully you know what I mean. She was the mysterious house, the quirky characters, the annoying Mrs Dudley, who sort of reminds me of Mrs Danvers. This book stayed with me, long after I finished listening to it. The house was a character in itself, sinister and dark and wanting to keep its inhabitants out, or at least scare them away.
I am going to go back and read this later this year, rather than listen, and see if I can soak up some more of that atmosphere.
About the Book
The classic supernatural thriller by an author who helped define the genre. First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting;' Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.
Shirley Jackson was an influential American author. A popular writer in her time, her work has received increasing attention from literary critics in recent years. She has influenced such writers as Stephen King, Nigel Kneale, and Richard Matheson.
She is best known for her dystopian short story, "The Lottery" (1948), which suggests there is a deeply unsettling underside to bucolic, smalltown America. In her critical biography of Shirley Jackson, Lenemaja Friedman notes that when Shirley Jackson's story "The Lottery" was published in the June 28, 1948, issue of The New Yorker, it received a response that "no New Yorker story had ever received." Hundreds of letters poured in that were characterized by, as Jackson put it, "bewilderment, speculation and old-fashioned abuse."
Jackson's husband, the literary critic Stanley Edgar Hyman, wrote in his preface to a posthumous anthology of her work that "she consistently refused to be interviewed, to explain or promote her work in any fashion, or to take public stands and be the pundit of the Sunday supplements. She believed that her books would speak for her clearly enough over the years." Hyman insisted the darker aspects of Jackson's works were not, as some critics claimed, the product of "personal, even neurotic, fantasies", but that Jackson intended, as "a sensitive and faithful anatomy of our times, fitting symbols for our distressing world of the concentration camp and the Bomb", to mirror humanity's Cold War-era fears. Jackson may even have taken pleasure in the subversive impact of her work, as revealed by Hyman's statement that she "was always proud that the Union of South Africa banned The Lottery', and she felt that they at least understood the story".
In 1965, Jackson died of heart failure in her sleep, at her home in North Bennington Vermont, at the age of 48.
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